Snow Rally Canada Mobile Game Review

Techies have known about the Google Android platform for designing games for several years. But up until recently it was fairly unknown to most of the world outside of the tech realm. It has suddenly garnered a lot of interest thanks to Google introducing their new mobile device, the Nexus One. The Nexus One debuted in January 2010. That means more people are going to be turning to mobile devices and when one already works off the Android platform you can expect some great games; games such as Snow Rally Canada to be precise.

Snow Rally Canada is a pretty straightforward racing game. But instead of racing around streets or a track you get to race in the great Canadian wilderness. That means learning to drive on ice and through snow. It does add a bit of excitement to the game as you struggle to keep your vehicle on the road. You will have to dodge plenty of obstacles if you want to win against the competitors.

Snow Rally is not just on snow and ice though. That would not reflect the beauty of Canada very well. You also get the chance to hit dirt roads and race through beautiful landscapes. As an added bonus, you get to try out different vehicles which can completely change up the gaming experience for you.

Granted, Snow Rally is not on par with gaming console racing games but it is not meant to be. Gaming consoles have more memory and space to be able to add more detailed graphics and simulations.

With Google unveiling the Nexus One you can bet that more Google Android games are going to emerge. And the current games are going to be revamped and improved. Snow Rally Canada may have a sequel coming out before long but in the meantime you can enjoy what is available now. You can race through the Canadian wilderness on highways, snow covered lanes and dirt roads as you race to become champion of the game. It is definitely worth the time and money. And if there is another game that comes along, at least you have mastered the basic racing skills you will need to win.

Most people don’t spend a lot of time thinking about the programming that goes into developing a game, but with the Android gaming platform this is changing. Now, instead of waiting for someone else to develop a game, you can create one on your own with the help of Pro Android Games. Visit the Android Games site to learn more.

shiny star leaf fringed weirdly in tarry moongate
games mobile
Image by quapan
The shiny star leaf being stranded fringed weirdly in a moongate gravitating sun-side down earth↓wards exhibiting her flashed, chthonotrope, fawnbeige moon-side, fringed by rippling rickrack purlieus; subfusc harbinger of the non-trivial Hecate-Day, the Blue June Moon on June 30th, 2007 [GMT], transformed by wintertimes into a moonscaped, tellurian-coloured ghost; serendipitously cultivated undulant, darkly leaf rings all around, a mystique caused by the processes of becoming embedded into {fossilized onto} & trying to escape from her marblelike, hygrophilous tar-yard.
─► Elucidated as a figuration: Mystical avatars agonize each other. Metamorphosed into hellenic myth: Persephone struggles to elude from the ineluctable gate of Hades.

─► The litter ‘moonlanded’ in a black asphalt moon-gate that contains an area of 3,141 m² . Therefore you can call it a π-gate. It belongs to a landscaped pedestrian precinct and is the left part of a twin-moon∩gates-ensemble, i.e. tar-black asphalt-circles lined up two abreast in lane 3 of the running track that extends on two long sides of the Eastgate in Marzahn.
This moon-gate is the most western of the 11 (∑=2+3+2+2+2=4+4+3) totally black circular tar bubbles. These special eleven fields do not contain – like those other 26 {1|2|3|e|a|s|t|g|a|t|e| ∟ |e|a|s|t|g|a|t|e|e|a|s|t|1|2|3} surrounding the building – white alphanumeric signs, but these are void and black like gravel-free tar. [_pearl of civilization, 16 Dec 2007_]
─► Apocryphal 9/11-Speculation: The star leaf was found in the eleventh π-gate (The number 11 in Greek Numerals : acrophonic: ΔΙ ; alphabetical: ιαʹ). Might the ‘twin moon∩gates’ represent the ‘twin towers’? Are the eleven tar-filled circles esoteric mourning memorials for 9/11?
─► Another question: How did the puzzling sedimentation-like black halo come about? – Most likely: The thin film of water on the hygrophilous tar evaporated quickly and left the fringe pattern. Less likely: Melted, gravel-free tar as a kind of sealing wax. Chromatographicly. Osmoticly. Silver Thaw.

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PHYSICS ◄─
Chromatography the collective term for a family of laboratory techniques for the separation of mixtures. It involves passing a mixture dissolved in a "mobile phase" through a stationary phase, which separates the analyte to be measured from other molecules in the mixture and allows it to be isolated.
Osmosis The tendency in fluids to mix, or become equably diffused, when in contact. It was first observed between fluids of differing densities, and as taking place through a membrane or an intervening porous structure.
sediment [mass noun] matter that settles to the bottom of a liquid; dregs
sedimentation coeffizient (also sedimentation constant) Biochemistry a quantity related to the size of a microscopic particle, equal to the terminal outward velocity of the particle when centrifuged in a fluid medium divided by the centrifugal force acting on it, expressed in units of time [New Oxford Dictionary of Englisch, p.1681, 1998, reissued 2001]
Emergence "…out of a multiplicity of relatively simple interactions… is central to the physics of complex systems … Emergent structures are patterns not created by a single event or rule"
Complex Systems From Sync by Steven Strogatz: "Every decade or so, a grandiose theory comes along, bearing similar aspirations and often brandishing an ominous-sounding C-name. In the 1960s it was cybernetics. In the ’70s it was catastrophe theory. Then came chaos theory in the ’80s and complexity theory in the ’90s."
fractal five-edged-star
mandala (Sanskrit maṇḍala "circle", "completion") has in practice become a generic term for any plan, chart or geometric pattern that represents the cosmos metaphysically or symbolically, a microcosm of the universe from the human perspective … The Psychoanalyst Carl Jung saw the mandala as "a representation of the unconscious self," and believed his paintings of mandalas enabled him to identify emotional disorders and work towards wholeness in personality.
avatar (sanskrit ‘avatara’=descent, from ‘ava’=down and ‘tar’=passing over) a manifestation of a deity or released soul in bodily form on earth; an incarnate divine teacher. Computing: movable icon representing a person.

─► EASTGATE ◄─
□ UK: Gateshead,Hornsea,Louth,Derby,Leeds,Accrington (─►Google Earth)
□ US: FL,WA,TX (─►Google Earth)
Shopping Centers named Eastgate Inverness, Basildon, Berlin, Harare etc.

─► AUTUMN LEAVES ◄─
Herbstlaub, Laub, hojas del otoño (254), осенние листья, feuilles d’automne(4) ,أوراق الخريف (ar.), 秋は去る (jp.=4),
秋叶(ch.simplified=100), 秋葉 (ch.traditional =300), fogli di autunno (4)
litter material forming a bedding or carpet (also leaf litter) decomposing but recognizable leaves and other debris forming a layer on top of the soil, especially in forests (NODE p1078)

─► WHY LEAVES CHANGE COLOR AND FALL ◄─
Four leaf pigments are responsible for leaf color: chlorophylls, carotenoids, tannins, and anthocyanins.
Why do leaves fall? Shorter days and cooler temperatures signal leaf senescence in which an increase in the enzymes that promote the breakdown of cells occurs. The veins that carry fluids into and out of the leaf gradually close off as a layer of cells (abscission layer) forms at the base of each leaf petiole where it is attached to the twig. These clogged veins trap sugars in the leaf and promote production of anthocyanins. Once the separation layer is complete and the connecting tissues are sealed off, the leaf is ready to fall.

▐►LYRICS about moons & autumn-leaves)◄▌
the man in the moon is a lady
a lady with lipstick and curls
the cow who jumped over
cried jumping jehovah
i think it’s just one of the girls!
her friends are the stars and the planets
she throws the big dipper a kiss
so don’t ever offend her,
remember her gender
the man in the moon is a miss.
magpie-moon
Der Fischer / The Fisherman (Johann Wolfgang von Goethe 1808
translated to English by Emily Ezust
)
Autumn-Leaves by Johnny Mercer
Les feuilles mortes by Jacques Prévert

─► SWEETGUM ◄─ [_Liquidambar styraciflua_]
Liquidambar styraciflua@duke.edu: the star-shaped leaves have a pleasant, sweet fragrance when crushed … Molecular studies have shown that Liquidambar isn’t closely related to Hamamelis and is better placed in the Altingiaceae instead of the Hamamelidaceae
Amerikanischer Amberbaum In the german language this deciduous tree is called Amerikanischer Amberbaum and belongs to the family of the Zaubernußgewächse
tree for Michigan’s lower peninsula
□ The Redgum (also called sweetgum, sapgum, starleaf-gum or bilsted) from the witch-hazel family (Liquidambar styraciflua / Hamamelidaceae) is a tree from North America that hit Europe for the first time in 1681:
The leaves are palmately lobed, 7-19 cm (rarely to 25 cm) long and broad and with a 6-10 cm petiole, looking somewhat similar to those of some maples. They have five sharply pointed lobes, but are easily distinguished from maples in being arranged alternately, not in opposite pairs.
…..
The gum resin, also known as liquid amber or copalm balsam, yielded by this tree has no special medicinal virtues, being inferior in therapeutic properties to many others of its class. It is a kind of native balsam, or resin, like turpentine. It may be clear, reddish or yellow, with a pleasant smell like ambergris. As it grows older, it hardens into a solid form, which historically was shipped to other countries in barrels. It was reputed an excellent balsam for mollifying and consolidating, and good against sciatica, weakness of the nerves, etc. Mixed with tobacco, the gum was once used for smoking at the court of the Mexican emperors. It was long used in France as a perfume for gloves and other such items. It is mainly produced in Mexico, little being obtained from trees growing in higher latitudes of North America, or in England.
An American Sweetgum will be featured as part of the Memorial Grove at the World Trade Center Memorial, with installation set for fall 2008 and spring 2009.

─► MOON ◄─
lt.,es.,it. luna (fem.) | ru. луна {a series of Soviet moon probes launched in 1959-1976. They made the first hard (1959) and soft (1966) landings on the moon} | pt. lua | fr. lune
gr. σελήνη, φεγγάρι –> πανσέληνος
nl. maan | nw. Måne | de. der Mond (masc.)
ch. 月亮 | jp. 月 | ko. 달 | ar. القمر
MOONING the act of displaying one’s bare buttocks by removing clothing. Mooning is used in some cultures to express protest, scorn, disrespect or provocation but can simply be done for shock value or fun.
Moon has been a common shape-metaphor for the buttocks in English since 1743, and the verb to moon has meant ‘to expose to (moon)light’ since 1601, long before they were combined in US student slang in the verb(al expression) mooning "to flash the buttocks" in 1968. Formerly, mooning was slang for "wandering idly" and "romantically pining".[1]

─► MOON’s TRUE COLOUR ◄─
○ blue-grey | golden-beige | fine-brush-gold
beige: of a pale sandy fawn colour – ORIGIN: mid 19th (denoting a usually undyed and unbleached woollen fabric of this colour): from French, of unknown ultimate origin [NODE p.158]
fawn 1. young deer 2. a light yellowish-brown colour
tellurian-coloured is the only true color of planet earth (myth. fair {ξανθή=blonde} ‘mother’ Demeter) and her satellite moon (myth. darkly-blue {κυανῆ=negative colour of ξανθή} ‘daughter’ Persephone), the colour of the ○ tohubohu {from Hebrew tohu wa-bohu = ’emptiness and desolation’ (Genesis 1.2.), translated in the Bible of 1611 as ‘without form and void’ (<–‘wüst und leer’ [Luther].}
The true colour of primeval animals in the earth history, e.g. Mosquitos, is tellurian, too.
"Except for small outcrops of rock on Earth, the whole surface of the moon is older than the oldest parts of the Earth’s surface." (Richard Teske)
Watch for second full moon in June (June 30,1996)
"When it is highest in the sky, the full moon looks brilliant and has an undoubted yellow-white color," Teske says. "Yet the moon is a very poor reflector of sunlight, with about the reflecting power of an asphalt parking lot. Its brilliance and apparent yellow-white color in the night sky are an illusion caused by dark adaptation of one’s eyes, together with the fact that the black sky provides no background illumination for comparison. Astronauts who have circled the moon and walked on its surface report it is almost colorless. Some describe the color as a dull grey; others say it is a dull grey-tan." (Astronomer Richard Teske)
darkly 1. in a threatening, mysterious or slightly ominous way; in a depressing or pessimistic way: I wondered darkly if I was wasting time 2 with a dark colour: a figure silhouetted darkly against the trees NODE p.467
subfusc Dark or dull in color; drab, dusky. lt. fuscus=kyanos like Poseidon–> fuscina=trident of Poseidon-Neptune. The tea-cosy, property of one Edmund Gravel — "known as the Recluse of Lower Spigot to everybody there and elsewhere," as the book’s first page informs us — is haunted by a six-legged emcee for various "subfusc but transparent" ghosts.
— Emily Gordon, "The Doubtful Host", Newsday, November 8, 1998

chthonotrope = tellurian-coloured. antonymous to heliotrope [mass noun] a light purple colour, similar to that typical of heliotrope flowers [NODE p.852]
→ heliotrope [noun] a plant of the borage family (genus: Heliotropium, family: Boraginanaceae), cultivated for its fragrant purple or blue flowers which are used in perfume.
heliotropism the directional growth of a plant in response to sunlight. Compare with Phototropism. Derivates: heliotropic
phototropism the orientation of a plant or other organism in response to light (positive phototropism) or away from it (negative phototropism). Compare with Phototaxis.
Photosynthesis the process by which green plants and some other organisms use sunlight to synthesize foods from carbon dioxide and water. Photosynthesis involves the green pigment chlorophyll and generates oxygen as a by-product.
☼ There are many False Colour Moons. By means of stretching the saturation in Photoshop you can easily achieve the ‘Green Moon of Alabama‘ or a Moon Blue.
Earth in True Color © NASA Here are the true colors of planet Earth. Blue oceans dominate our world, while areas of green forest, brown mountains, tan desert, and white ice are also prominent. Oceans appear blue not only because water itself is blue but also because seawater frequently scatters light from a blue sky. Forests appear green because they contain chlorophyll, a pigment that preferentially absorbs red light. The above image is a composite generated predominantly with data from Moderate Resolution Imaging Spectroradiometer (MODIS), an instrument mounted on the Terra satellite that has orbited Earth since 1999 December.
Full Moon by High Dynamic Range Image [HDRI] –> 200.000 :1; Exposure: 1/50 sec; Aperture: f/4.9; Focal Length: 46 mm; ISO Speed: 100
Full Moon in True Color Exposure: 1/320 sec; Aperture: f/3.5
Focal Length: 72 mm; Digital Zoom: x2 © hkhoodoo
Full Moon (yellowish long-term exposure) © stitch witch
279/365: Hello Earth (Kate Bush Lyrics) © practicalowl
"Somewhere out there" (May 16th 07) (moon, reflected moonlight on waves, stars) © Aussie Julie (aka Julie Holland)
○ ○ tellurian formal or poetic/literary adjective – of or inhabiting the earth Origin: mid 19th
○ ○ telluric adjective – of the earth as a planet ■ of the soil Origin: mid 19th —> telluric acide
○ ○ ○ Tellurium the chemical element of atomic number 52, a brittle, shiny, silvery-white semimetal resembling selenium and occurring mainly in small amounts in metallic sulphide ores. (Symbol: Te.) Origin: Early 19th from lt. tellûs,ûris n. (soil), probably named in contrast to Uranium. [NODE p.1907]

─► MOONS & JUNES ◄─
"’All hands on deck, we’ve run afloat!’ ……
Now many moons and many Junes have passed since we made land."
(A Salty Dog, © 1968 Procol Harum)
————-
Moons and Junes and Ferris wheels
The dizzy dancing way you feel
As ev’ry fairy tale comes real
I’ve looked at love that way
(Both Sides, Now, © 1969 Joni Mitchell)

BLUE MOONS
○ lt. metiri ‘to measure’ (the moon being used to measure time)
○ lunar: day (24 h 50 m -> ‘MeridianCrossings’), month (29½ d), year (~ 354 d)
lunisolar
□ of or employing a calendar year divided according to the phases of the moon,
but adjusted in average length to fit the length of the solar cycle
□ of or denoting a 532-year period over which both the lunar months and the days of the week return to the same point in relation to the solar year Origin: late 17th
lunar cycle another term for metonic cycle
Blue Moon [scienceworld.wolfram]
When two full moons occur in any calendar month, the second is called a blue moon. The term (in its modern usage) therefore has nothing to do with the Moon’s actually color. A blue moon occurs about once in 2.5 years on average. A blue moon can occur in January and the following March if there is no full moon at all in February, as is the case in the years 1999, 2018, and 2037.
There are several other meanings ascribed to the term "blue moon" (the most common being "a very uncommon event"), but the one given here seems first to have appeared in The Maine Farmers’ Almanac of 1937. The phrase "blue moon" has been around for several hundred years, but its meaning has changed a few times. The earliest use of "blue moon" meant an obvious absurdity which everyone knew never happened. However, the moon does occasionally turn blue as a result of smoke from forest fires or particles from a volcanic eruption. Since these blue-looking moons were rare but did happen from time to time, the phrase "once in a blue moon" was coined, meaning that an event is unusual, but can happen occasionally (Kibbey). "Blue moon" has also been used as a symbol of sadness and loneliness. That appears to have a history of its own among musicians and songwriters (Kibbey).
Blue Moon I [en.wikipedia, Sept07]
is called the third full moon in a season with four full moons, as described in the Maine Farmer’s Almanac. Until recently it was commonly misunderstood that the second full moon in a month was the blue moon. However, it was recently discovered by Sky & Telescope Magazine and reported on NPR that the interpretation of a blue moon as the second full moon of the month was erroneously reported in an issue of Sky & Telescope dating back to 1946 and then perpetuated by other media.
Blue Moon II [en.wikipedia, Sept07]
Farmer’s Almanac blue moons
The older meaning of blue moon to name an extra full moon, as was used in the Maine Farmer’s Almanac, was the third full moon in a quarter of the year when there were four full moons – normally a quarter year has three full moons. The division of the year into quarters for this purpose has the dividing line set between March 21 and March 22. This has to do with the rule for setting the date for the Christian Holy Day of Easter, which depends on the last full moon – as calculated by the computus, a somewhat inaccurate formula – on or before the Equinox on March 21, which is also somewhat inaccurate.
This meaning of blue moon was lost when the editors of the original Farmer’s Almanac died. It was recovered only when researchers for Sky & Telescope magazine noticed that the Maine Farmer’s Almanac from 1829 to 1937 reported blue moons that did not fit the meaning of the term calendar blue moon.
Calendar Blue Moons
In recent times, people have taken to calling a full moon a blue moon based on the Gregorian calendar. By this use of the term, a blue moon is the second of two full moons to occur in the same calendar month. This definition of blue moon originated from a mistake in an article in the March 1946 Sky & Telescope magazine, which failed in an attempt to infer the earlier definition used in the original Farmer’s Almanac (see above). It was helped to popularity when Deborah Byrd of Earth & Sky walked into the Peridier astronomy library at the University of Texas at Austin one day, leafed through some old magazines, and found the 1946 blue moon article in Sky & Telescope. She used the definition – the second full moon in a single month – in the radio series Star Date for some years. As a result, the game Trivial Pursuit used a question and answer about blue moon. Sky & Telescope discovered the error nearly sixty years later and the magazine printed a retraction and correction.[2] By the time the correction came the calendar definition had already come into common use. As it is easier to understand, the mistaken calendar-based meaning has stuck.
Calendar blue moons occur infrequently, and the saying once in a blue moon is used to describe a rare event. However, they are inevitable because of the mis-match between the solar and lunar cycles. Each calendar year contains twelve full lunar cycles, plus about eleven days to spare. The extra days accumulate, so that while most years contain twelve full moons to match the twelve months, every two or three years there is a year with thirteen full moons. On average, this happens once every 2.72 years. Additionally, in some years there is no full moon in February at all, since February is slightly shorter than the time from one full moon to the next. This condition, known as black moon, gives additional ‘blue’ moons in the preceding and following months (namely January and March). The last time this occurred was in 1999. The next time this will occur will be in 2018, because February will have no full moon that year, according to UTC, which means that January and March will each have a calendar blue moon that year.
When there are thirteen moons in a year, twelve of them are given the twelve traditional names associated with that time of year (the names vary from culture to culture), and the extra one is termed a blue moon. Which of the thirteen moons is termed ‘blue’ depends on whether it is calculated by the old or the new method.
The months of the Gregorian calendar are all very close to the 29.5306-day period of the moon’s phases: the synodic month, or lunation. Most of the months are longer than this by one or two days, except February, which is the only month which cannot contain a calendar blue moon. Since February is one or two days shorter than the moon’s cycle, very occasionally it has no full moon – there is a full moon at the end of January, and the next one is at the beginning of March. What this means is that both January and March will have blue moons. This happens, on average, once every thirty-five years.
The previous calendar blue moon (based on UTC) was on June 30, 2007. The first full moon would have occurred on June 1, 2007. But that was May 31, 2007 in the Western Hemisphere making that full moon the second occurrence in May in the Western Hemisphere; see below); and the next calendar blue moon will be December 31, 2009.
Time zone problems
Occasionally whether a moon is called blue depends on the time zone. Any full moon occurs simultaneously everywhere, but at that moment clocks and calendars are not the same.
Example, when it is early evening on August 31 in Europe, it is already early morning September 1 in New Zealand. Hence, residents of London seeing a full moon when their clocks and calendar say it is August 31 would call what they see a calendar blue moon. People seeing the same full moon from Auckland would note by their clocks and calendar that it is the early morning of September 1, and they would not term it a blue moon. But they would probably have a calendar blue moon at the end of September, or perhaps October.
Because this is confusing, astronomers worldwide and the calendar makers who rely on them typically choose the time zone of the Royal Greenwich Observatory in the United Kingdom, known as Greenwich Mean Time, or the nearly identical UTC time zone. As a practical matter, because the moon seems to the casual viewer to be full for almost three days, the use of a foreign time zone for calendar markings for full moons makes little difference.
Blue Moons between 2004 and 2010
The following data is based on the Calendar and Farmers’ Almanac definitions.
August 2005 — Third full moon in a season of four full moons
June 2007 — has a second full moon falling on the 30th
May 2008 — Third full moon in a season of four full moons
November 2010 — Third full moon in a season of four full moons
Blue Moon (Elvis Presley)
Blue Moon of Kentucky (Elvis Presley) & (Apollo 11, Moonlanding-Footage, July 20th, 1969)
○ Blue moon, you saw me standin’ alone
Without a dream in my heart, without a love of my own
Blue moon, you knew just what I was there for
You heard me sayin’ a prayer for
Someone I really could care for
And then there suddenly appeared before me
The only one my arms will hold
I heard somebody whisper "please adore me"
And when I looked, the moon had turned to gold
Blue moon, now I’m no longer alone
Without a dream in my heart
Without a love of my own
Lorenz Hart, Richard Rodgers

∩_moon_gate_∩
Moon Gate: a circular gateway in a wall (chinese architecture);
○ One of the seven Doors of the ancient city of Thebes was called Moongate (–>Seven against Thebes, Aeschylus]

LUN
lunar of, determined by, or resembling the moon: a lunar landscape
LANDSCAPE all the visible features of an area of countryside or land, often considered in terms of their asthetic appeal: the soft colours of the Northumbrian l., a bleak urban landscape 2. wider than hig, contr. portrait verb: be landscaped (moonscaped)= improve (deteriorate) the aethetic appearence of (a piece of land) by changing its contours, adding ornamental features or planting trees and shrubs –> landscapist (–>moonscapist)
Lunarian (in science fiction) an imagined inhabitant of the moon
lune (lunette) = crescent shaped figure; lunula or lunule = white area at base of fingernail; BronzeAgeNecklace
lunatic fringe exreme or eccentric minority within society or group

─► STAR ◄─
it. stella; es. estrella; fr. étoile [googlish: ‘tenir le premier rôle’]; ru. звезды; de. Stern; ch. 明星; jp. 星; ko.별; ar. النجم
─► PLANET ◄─
fr. planète; ru. планета; jp. 惑星; ch. 星球; ar. الكوكب
─► SATELLITE ◄─
ru. спутник; es. satélite; de. Trabant;
ch. (simp.) 卫星; ch. (trad.) 衛星; jp. 衛星;ko.인공위성; ar. ساتل

─► EARTH ◄─
gr.γῆ,χώμα – arch.gr.χθών,χθονός poet. surface of the earth (rarely soil)
lt. tellus,terra | it.,pt. terra | fr. terre;es. tierra
ru. Земли, de. Erde arch.Nerthus (in a grove on an island)
ch.,jp. 地球 | ko. 지구 | ar. الأرض

▐►C H T H O N I A N S ◄▌ greek god(desse)s
χθόνιος in, under or beneath the earth II. sprung from the earth, Titans (Hesiod.Theogonia.697) 2. in or of the country; native S.OC948; S.Aj.202 III. of things, of the earth, Aeschylus.Septem contra Thebas.736
■ χθονία (‘Chthonίa’) Earlier name of γαῖα (‘Gaia’) Pherekydes. Syr.I,cf. Dam.Pr.124 [LSJ p.1991].
■ Χθόνεια,τά festival of Demeter and Persephone [LSJ p.1991].
■ χ. θεοί gods of the nether world opp. ypatoi (=superi), Aeschylus.Agamemnon.89
■ χ. θεαί, i.e. Demeter and Persephone, Herodot. 6.134, 7.153; of the Erinyes, Socphocles.OedipusColoneus 1568.
■ χ. Ἑκάτη (Hekátē, Hecate) Aristophanes Fragmenta 500
■ χ. poreia opp. ourania Plato.Respublica.619e
■ χ. phreni of the dead Pindar.Pythian Odes.5.101.
■ χ. Ερμής Hermes as conductor of the dead Aeschylus.Choephori.1, Sophocles. Electra.111
Ζεύς χ. of Jupiter Tonans, Hades-Pluto in Hesiod.Opera.465

▐►Χ θ ό ν ι α ι___θ ε α ί ◄▌ @ Aeschylus
▐► Χορός: ἀλλὰ σύ μοι Γᾶ τε καὶ ἄλλοι / χθονίων ἁγεμόνες / δαίμονα μεγαυχῆ / ἰόντ’ αἰνέσατ’ ἐκ δόμων, / Περσᾶν Σουσιγενῆ θεόν: / πέμπετε δ’ ἄνω οἷον οὔπω / Περσὶς αἶ’ ἐκάλυψεν.
Chorus: O Earth, and you other rulers of those who dwell in the nether world, ensure, I implore, that the glorious spirit, the god of the Persians, whom Susa bore, may quit his abode. [645] Send to the upper world him the likes of whom the Persian earth has never entombed (translated by Herbert Weir Smyth, Ph.D.). (Aeschylus Persians 641)
My Comment: γᾶ (GA) is Singualaris or Dualis.—>
The Chorus of Persian Loyals calls upon the Monade Earth (‘Gaia’). as Ph.D. H. W. Smyth translates for Perseus Tufts. But the Dyade of Demeter & Persephone can be meant – additionally!
▐► Ἠλέκτρα: καί πότ’ ἂν ἀμφιθαλὴς / Ζεὺς ἐπὶ χεῖρα βάλοι, / φεῦ φεῦ, κάρανα δαί̈ξας; / πιστὰ γένοιτο χώρᾳ. / δίκαν δ’ ἐξ ἀδίκων ἀπαιτῶ. / κλῦτε δὲ Γᾶ χθονίων τε τιμαί.
Electra: And when will mighty Zeus bring down his hand on them [395] and split their heads open? Let it be a pledge to the land! After injustice I demand justice as my right. Hear, O Earth, and you honored powers below! (translated by Herbert Weir Smyth, Ph.D.). (Aeschylus.Libation Bearers 399)
▐► Πυθιάς:
πρῶτον μὲν εὐχῇ τῇδε πρεσβεύω θεῶν
τὴν πρωτόμαντιν Γαῖαν: ἐκ δὲ τῆς Θέμιν,
ἣ δὴ τὸ μητρὸς δευτέρα τόδ’ ἕζετο
μαντεῖον, ὡς λόγος τις: ἐν δὲ τῷ τρίτῳ
λάχει, θελούσης, οὐδὲ πρὸς βίαν τινός,
Τιτανὶς ἄλλη παῖς Χθονὸς καθέζετο,
Φοίβη: δίδωσι δ’ ἣ γενέθλιον δόσιν
Φοίβῳ: τὸ Φοίβης δ’ ὄνομ’ ἔχει παρώνυμον.
My comment : Heirs of the oracle: Gaia, Themis , (Demeter & Persephone), Phoebe & Phoebus.
In her prologue of the Eumenides the Pythia – ‘unconsciously’ – reveals the unutterable, nevertheless conspicuous CRUEL MYSTERY of the Oracle of Delphi: Phoebe & Phoebus have once ousted (and silenced) Demeter & Persephone by force (ἣ δὴ τὸ μητρὸς … πρὸς βίαν ). The telluric-matriarchal Mother&Daughter-Succession, Demeter → Persephone, was replaced by the solaric-patriarchal Grandmother → Grandson-Succession, Phoebe → Phoebus.
MYTHOLOGICA:
○ Demeter : earth, dark (‘daemonized’) side of the sun.
○ Persephone (lt. Proserpina): daughter of Zeus and Demeter. under-earth(⅓) & vegetation(⅔ ), dark (‘daemonized’) side of the moon. Was carried off by Hades and made queen of the underworld. Demeter vainly seeking her, refused to let the earth produce its fruits until her daughter was restored to her, but because Persephone had eaten som pomegranade seeds in the other world, she was obliged to spend part of every year there.
○ Phoebe: a Titaness born by Uranus and Gaia, mother of Leto (–> Apollo & Artemis). Later Greek writers identify her with Selene and even Isis, CIG4987 (Ethiopia)’ [LSJ p.1947], bright side of the moon.
○ Phoebus-Apollo: Horus, bright side of the sun.
○ Pythia: the priestess of Apollo in Delphi – Origin from Pythô, a former name of Delphi.
○ Hades (also called Pluto): the underworld, the abode of the spirits of the dead
▐► Ἑκάτη◄▌
Hekate {Hekátē}, or Hekat (lt. Trivia), was originally a goddess of the wilderness and childbirth, naturalized early in Thrace, but originating among the Carians of Anatolia,[1] the only region where theophoric names are attested[2], and where Hekate remained a great goddess into historical times, at Lagina. The monuments to Hekate in Phrygia and Caria are numerous but of late date.[3] Popular cults venerating her as a mother goddess integrated her persona into Greek culture as Ἑκάτη. In Ptolemaic Alexandria she ultimately achieved her connotations as a goddess of sorcery and her role as the "Queen of Ghosts", in which guise she was transmitted to post-Renaissance culture. Today she is often seen as a goddess of witchcraft and Wicca. One aspect of Hecate is represented in the Roman Trivia.
○ ○ lt. Trivia: Godess of the moon @ three-way crossroads –> lacus Triviae=sea of Diana=Lago di Nemi (V.) – adripere maledictum ex trivio
Unusual Trivia CollectionSuperstitions: old wives tales, folklore, bizarre beliefs, taboos, omens, lucky & unlucky things
Hekate: magic, witchcraft, the night, moon, ghosts, necromancy. …
Hekate assisted Demeter in her search for Persephone, guiding her through the night with flaming torches. After the mother-daughter reunion became she Persephone’s minister and companion in Hades.
Two metamorphosis myths describe the origins of her animal familiars: the black she-dog and the polecat (a mustelid house pet kept to hunt vermin). The bitch was originally the Trojan Queen Hekabe, who leapt into the sea after the fall of Troy and was transformed by the goddess into her familiar. The polecat was originally the witch Gale who was transformed into the beast to punish her for her incontinence. Other say it was Galinthias, the nurse of Alkmene, transformed by the angry Eileithyia, but received by Hekate as her animal.
Ἑκάτη (Hekátē) Hecate she who works her will, Hes.Th.411;
Ἕκατos epith. of Apollo. Il.7.83, 20.295; Ἑκάτη epith. of Artemis, Aeschylus.Supplici.767 (lyr.), CORN.ND32.; χ. Ἑκάτη Aristophanes Fragmenta 500;
II. Ἑκάτηs δεῖπνον Hecate’s dinner, a meal set out by rich persons at the foot of her statue on the 30th day of each month (cf. 30th April = Walpurgis-Night, ‘Hexennacht’ on Blocksberg [Brocken: highest peak in the Hartz-Mountains –> Brocken spectre (‘Brockengespenst’, often surrounded by the glowing halo-like rings of a glory, described by Johann Silberschlag in 1780 as an optical illusion)). … Curiously Adolf Hitler, with several members of his staff (including Joseph Goebbels), committed suicide in the Walpurgisnight, April 30/May 1, 1945), when it became a dole for beggars and paupers, Ar.Pl.594, hence as it consisted of offal, Ἑκαταῖα κατεσθίειν Ekataia katesthieein, of rapscallion D.54.39, cf. Luc.D.Mort 1.1.
Ar.Pl.594pp
Πενία:
τὸ γὰρ ἀντιλέγειν τολμᾶν ὑμᾶς ὡς οὐ πάντ’ ἔστ’ ἀγάθ’ ὑμῖν
διὰ τὴν Πενίαν.
Χρεμύλος:
παρὰ τῆς Ἑκάτης ἔξεστιν τοῦτο πυθέσθαι,
εἴτε τὸ πλουτεῖν εἴτε τὸ πεινῆν βέλτιον. φησὶ γὰρ αὕτη
τοὺς μὲν ἔχοντας καὶ πλουτοῦντας δεῖπνον κατὰ μῆν’ ἀποπέμπειν,
τοὺς δὲ πένητας τῶν ἀνθρώπων ἁρπάζειν πρὶν καταθεῖναι.
ἀλλὰ φθείρου καὶ μὴ γρύξῃς ἔτι μηδ’ ὁτιοῦν.
οὐ γὰρ πείσεις, οὐδ’ ἢν πείσῃς.
Poverty
Thus you dare to maintain that Poverty is not the fount of all blessings!
Chremylus
Ask Hecate [595] whether it is better to be rich or starving; she will tell you that the rich send her a meal every month and that the poor make it disappear before it is even served. But go and hang yourself and don’t breathe another syllable. [600] I will not be convinced against my will…
Ἑκάταιον (Hekataion) or Ἑκάτειον (Hekateion), τό, statue or dedication stone (Calvet Collection. This stone-shrine contains two iconized ornamental stars, ‘asterisks‘, starlets amazingly similar to japanese maple leaves) of Hecate, placed at the entrance of houses or where three roads meet. These shrines dedicated to Hekate were invented by Alcamene as Pausanias remarks(2,30,2.). An epigonal Roman Hecateion of the 2nd BC stands in the Metropolitan Museum, a triple-bodied Hekate, resembling Alkamene’s Hekate Epipyrgidia, which was erected around 425 BC on the Athena Nike bastion to guard the entrance of the Akropolis. Alkamene’s statue was one of the earliest representations of the retrospective style known as archaistic, which imitated the stiff, linear quality of drapery that marked works of the sixth BC The three figures of the goddess also wear poloi, cylindrical headdresses often associated with female deities of rebirth.
Ar. l.c. Ra.366 cf. Hsch.
Χορός
ἢ χρήματα ταῖς τῶν ἀντιπάλων ναυσὶν παρέχειν τινὰ πείθει,
ἢ κατατιλᾷ τῶν Ἑκαταίων κυκλίοισι χοροῖσιν ὑπᾴδων,
ἢ τοὺς μισθοὺς τῶν ποιητῶν ῥήτωρ ὢν εἶτ’ ἀποτρώγει,
Or persuades anyone to send supplies to the enemies’ ships,
Or defiles Hecate’s shrine, while singing dithyrambs,
Or any politician who bites off the pay of the poets
Aristophanes. Frogs.365-367

Game of War: One of The Best Mobile Strategy Games in 2014

We have mentioned that in Game of War: Fire Age, resources are everything. Without an abundant quantity resource, you can train your troops or become a valuable member of your alliances. How to get more resources? Here, Game of War Fire Age cheats will offer you some great tips. We share with you more strategy guides about mobile strategy games.

Besides, super star Kate Upton’s busty figure takes center stage for the latest ad for the model’s first video game appearance, “Game of War: Fire Age.” Meanwhile, a certain redheaded celebrity cops to perming her hair for an Annie-like look during her childhood. For more videos or mobile strategy games, click our website please!

The Game of War commercial has appeared most during college football games and ESPN’s news show SportsCenter, but Machine Zone has spent the most to get the commercial on during NFL games. Of the $ 4.5 million spent so far, $ 2 million of that is just for ads during pro football. Another $ 500,000 is for college football.

Generally speaking, Kate Upton TV ad for Game of War targets manly man shows for men. But the advertising is fine and I personally love that.

So, as a strategy game, I will introduce my strategy or cheats for you below:

If you’re playing on a budget or only logging in during your commutes, then you won’t have access to VIP status benefits very quickly, so ensure that you’re not wasting your time. You’ll want to be earning as many resources and ticking off as many Quests as possible, so start juggling wait timers.

Though you won’t be able to go on Alliance Quests yet, you will have access to Daily Quests, and these can be a great way to get resources. They’re really easy: just tap the Start button next to the Quest you want to go on, and a timer will count down.

You should also be engaging in research at your Academy at the same time as questing. Just tap a skill, tap research, and meet the criteria to begin the upgrade. You can also train more troops, heal your wounded at the Hospital, and so on. Any way you can improve your base and bring in more resources in multiple ways at the same time is a great benefit.

You will get a free item that allows you to teleport wherever you want to before your Stronghold reaches level 5. It would be a great idea to move together with your alliance members – the proximity offers a ton of advantages and is the first thing needed to build a solid alliance (and keep you safe with their help).

I strongly suggest that you build 10 level 1 farm, logging camp, quarry and mine. For example, build 10 farms and then demolish them. Do the same thing for the rest. 10 of each! Doing so would allow you to complete an Empire Quest. Obviously you can do this later in the game but it will be difficult. Also, I will give you a link for this thanks for watching!

From:http://www.appgamenews.com

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Futura promesa
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La primera vez que pisa el césped de un terreno de juego 🙂

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Season Sunset
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Last night the Jerome Tiger varsity football team culminated their season in the Idaho state 4A championship game. In the end the Tigers fell to the Hillcrest Knights 55-35. The game was an interesting match-up featuring two polar opposite offenses. Jerome with a wide open spread passing game and Hillcrest with a double wing running game.

The Knights deserve a lot of credit for turning around a team that went 0-8 in 2007 to go 11-1 and win a state championship in 2008. Kudos to the new coach there and congratulations to the team on an excellent season and a well earned championship.

To the Jerome Tigers I say congratulations. You are a great bunch of kids with the heart of champions. Never stop striving to be number one. You brought a tremendous amount of excitement and hope to our community this season. Above all else thank you for conducting yourselves as gentlemen and role models on and off the field. You are a team any community would be proud to call their own.

It was such a joy to watch our football team this season. I hope they will soon get over the dissapointment of the championship loss and celebrate all they have accomplished this season. They have a lot to be proud of.

Go J-town.

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Tensions are running high in the Bogan-Robson household
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(I won).

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15 Advertising and mobile game marketing Methods for Achievement

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LEGO Monument Valley
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We recently enjoyed playing the new mobile game Monument Valley by USTWO games.

The game itself is not challenging – you’ll probably complete it under an hour. But the charm of the game comes from it’s rich Escher-influenced visuals and game environment. Even the game’s mechanics rely on the impossible tricks of perspective that Escher used in his drawings.

Fan art for the game is starting to spring up on Internet, so I thought I’d give it the LEGO treatment too! These models will definitely be on display at BrickCon, by which time I may have built some more of the game scenery!

Why Are Most Mobile Games SLEAZY, RECYCLED CRAP?

You’ve most likely hit that paywall in a “free” game – then in every other “free” game. But why are all these games the same? Gameranx’s Falcon wants to talk to you about it!
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On Mt. Tam with Finch Linden.

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ITS A HOLE IN ONE!!! Super Stickman Golf 3 | Mobile Games

I am back with more mobile games! In this episode I play the epic SUPER STICKMAN GOLF 3!!

Thx for all your support 🙂

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About Super Stickman Golf 3

Super Stickman Golf series is back and better than ever! Super Stickman Golf 3 is packed full of new courses, power ups, collectable cards, game modes, multiplayer madness and a ton of new surprises for you to discover.

Master the 20 new courses on your own or square off against your friends and players from all over the world in one of the many multiplayer modes.

Collect all the cards and change the way you play. You know you are the best golfer around, so prove it by unlocking all the characters, hats, ball trails and more.

Features:
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– Over 65 Hats That Change Gameplay
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Army Photography Contest – 2007 – FMWRC – Arts and Crafts – A Plumpish Proportion
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Army Photography Contest – 2007 – FMWRC – Arts and Crafts – A Plumpish Proportion

Photo By: SSG Robert Stewart

To learn more about the annual U.S. Army Photography Competition, visit us online at www.armymwr.com

U.S. Army Arts and Crafts History

After World War I the reductions to the Army left the United States with a small force. The War Department faced monumental challenges in preparing for World War II. One of those challenges was soldier morale. Recreational activities for off duty time would be important. The arts and crafts program informally evolved to augment the needs of the War Department.
On January 9, 1941, the Secretary of War, Henry L. Stimson, appointed Frederick H. Osborn, a prominent U.S. businessman and philanthropist, Chairman of the War Department Committee on Education, Recreation and Community Service.
In 1940 and 1941, the United States involvement in World War II was more of sympathy and anticipation than of action. However, many different types of institutions were looking for ways to help the war effort. The Museum of Modern Art in New York was one of these institutions. In April, 1941, the Museum announced a poster competition, “Posters for National Defense.” The directors stated “The Museum feels that in a time of national emergency the artists of a country are as important an asset as men skilled in other fields, and that the nation’s first-rate talent should be utilized by the government for its official design work… Discussions have been held with officials of the Army and the Treasury who have expressed remarkable enthusiasm…”
In May 1941, the Museum exhibited “Britain at War”, a show selected by Sir Kenneth Clark, director of the National Gallery in London. The “Prize-Winning Defense Posters” were exhibited in July through September concurrently with “Britain at War.” The enormous overnight growth of the military force meant mobilization type construction at every camp. Construction was fast; facilities were not fancy; rather drab and depressing.
In 1941, the Fort Custer Army Illustrators, while on strenuous war games maneuvers in Tennessee, documented the exercise The Bulletin of the Museum of Modern Art, Vol. 9, No. 3 (Feb. 1942), described their work. “Results were astonishingly good; they showed serious devotion …to the purpose of depicting the Army scene with unvarnished realism and a remarkable ability to capture this scene from the soldier’s viewpoint. Civilian amateur and professional artists had been transformed into soldier-artists. Reality and straightforward documentation had supplanted (replaced) the old romantic glorification and false dramatization of war and the slick suavity (charm) of commercial drawing.”

“In August of last year, Fort Custer Army Illustrators held an exhibition, the first of its kind in the new Army, at the Camp Service Club. Soldiers who saw the exhibition, many of whom had never been inside an art gallery, enjoyed it thoroughly. Civilian visitors, too, came and admired. The work of the group showed them a new aspect of the Army; there were many phases of Army life they had never seen or heard of before. Newspapers made much of it and, most important, the Army approved. Army officials saw that it was not only authentic material, but that here was a source of enlivenment (vitalization) to the Army and a vivid medium for conveying the Army’s purposes and processes to civilians and soldiers.”
Brigadier General Frederick H. Osborn and War Department leaders were concerned because few soldiers were using the off duty recreation areas that were available. Army commanders recognized that efficiency is directly correlated with morale, and that morale is largely determined from the manner in which an individual spends his own free time. Army morale enhancement through positive off duty recreation programs is critical in combat staging areas.
To encourage soldier use of programs, the facilities drab and uninviting environment had to be improved. A program utilizing talented artists and craftsmen to decorate day rooms, mess halls, recreation halls and other places of general assembly was established by the Facilities Section of Special Services. The purpose was to provide an environment that would reflect the military tradition, accomplishments and the high standard of army life. The fact that this work was to be done by the men themselves had the added benefit of contributing to the esprit de corps (teamwork, or group spirit) of the unit.
The plan was first tested in October of 1941, at Camp Davis, North Carolina. A studio workshop was set up and a group of soldier artists were placed on special duty to design and decorate the facilities. Additionally, evening recreation art classes were scheduled three times a week. A second test was established at Fort Belvoir, Virginia a month later. The success of these programs lead to more installations requesting the program.
After Pearl Harbor was bombed, the Museum of Modern Art appointed Mr. James Soby, to the position of Director of the Armed Service Program on January 15, 1942. The subsequent program became a combination of occupational therapy, exhibitions and morale-sustaining activities.
Through the efforts of Mr. Soby, the museum program included; a display of Fort Custer Army Illustrators work from February through April 5, 1942. The museum also included the work of soldier-photographers in this exhibit. On May 6, 1942, Mr. Soby opened an art sale of works donated by museum members. The sale was to raise funds for the Soldier Art Program of Special Services Division. The bulk of these proceeds were to be used to provide facilities and materials for soldier artists in Army camps throughout the country.
Members of the Museum had responded with paintings, sculptures, watercolors, gouaches, drawings, etchings and lithographs. Hundreds of works were received, including oils by Winslow Homer, Orozco, John Kane, Speicher, Eilshemius, de Chirico; watercolors by Burchfield and Dufy; drawings by Augustus John, Forain and Berman, and prints by Cezanne, Lautrec, Matisse and Bellows. The War Department plan using soldier-artists to decorate and improve buildings and grounds worked. Many artists who had been drafted into the Army volunteered to paint murals in waiting rooms and clubs, to decorate dayrooms, and to landscape grounds. For each artist at work there were a thousand troops who watched. These bystanders clamored to participate, and classes in drawing, painting, sculpture and photography were offered. Larger working space and more instructors were required to meet the growing demand. Civilian art instructors and local communities helped to meet this cultural need, by providing volunteer instruction and facilities.
Some proceeds from the Modern Museum of Art sale were used to print 25,000 booklets called “Interior Design and Soldier Art.” The booklet showed examples of soldier-artist murals that decorated places of general assembly. It was a guide to organizing, planning and executing the soldier-artist program. The balance of the art sale proceeds were used to purchase the initial arts and crafts furnishings for 350 Army installations in the USA.
In November, 1942, General Somervell directed that a group of artists be selected and dispatched to active theaters to paint war scenes with the stipulation that soldier artists would not paint in lieu of military duties.
Aileen Osborn Webb, sister of Brigadier General Frederick H. Osborn, launched the American Crafts Council in 1943. She was an early champion of the Army program.
While soldiers were participating in fixed facilities in the USA, many troops were being shipped overseas to Europe and the Pacific (1942-1945). They had long periods of idleness and waiting in staging areas. At that time the wounded were lying in hospitals, both on land and in ships at sea. The War Department and Red Cross responded by purchasing kits of arts and crafts tools and supplies to distribute to “these restless personnel.” A variety of small “Handicraft Kits” were distributed free of charge. Leathercraft, celluloid etching, knotting and braiding, metal tooling, drawing and clay modeling are examples of the types of kits sent.
In January, 1944, the Interior Design Soldier Artist program was more appropriately named the “Arts and Crafts Section” of Special Services. The mission was “to fulfill the natural human desire to create, provide opportunities for self-expression, serve old skills and develop new ones, and assist the entire recreation program through construction work, publicity, and decoration.”
The National Army Art Contest was planned for the late fall of 1944. In June of 1945, the National Gallery of Art in Washington D.C., for the first time in its history opened its facilities for the exhibition of the soldier art and photography submitted to this contest. The “Infantry Journal, Inc.” printed a small paperback booklet containing 215 photographs of pictures exhibited in the National Gallery of Art.
In August of 1944, the Museum of Modern Art, Armed Forces Program, organized an art center for veterans. Abby Rockefeller, in particular, had a strong interest in this project. Soldiers were invited to sketch, paint, or model under the guidance of skilled artists and craftsmen. Victor d’Amico, who was in charge of the Museum’s Education Department, was quoted in Russell Lynes book, Good Old Modern: An Intimate Portrait of the Museum of Modern Art. “I asked one fellow why he had taken up art and he said, Well, I just came back from destroying everything. I made up my mind that if I ever got out of the Army and out of the war I was never going to destroy another thing in my life, and I decided that art was the thing that I would do.” Another man said to d’Amico, “Art is like a good night’s sleep. You come away refreshed and at peace.”
In late October, 1944, an Arts and Crafts Branch of Special Services Division, Headquarters, European Theater of Operations was established. A versatile program of handcrafts flourished among the Army occupation troops.
The increased interest in crafts, rather than fine arts, at this time lead to a new name for the program: The “Handicrafts Branch.”
In 1945, the War Department published a new manual, “Soldier Handicrafts”, to help implement this new emphasis. The manual contained instructions for setting up crafts facilities, selecting as well as improvising tools and equipment, and basic information on a variety of arts and crafts.
As the Army moved from a combat to a peacetime role, the majority of crafts shops in the United States were equipped with woodworking power machinery for construction of furnishings and objects for personal living. Based on this new trend, in 1946 the program was again renamed, this time as “Manual Arts.”
At the same time, overseas programs were now employing local artists and craftsmen to operate the crafts facilities and instruct in a variety of arts and crafts. These highly skilled, indigenous instructors helped to stimulate the soldiers’ interest in the respective native cultures and artifacts. Thousands of troops overseas were encouraged to record their experiences on film. These photographs provided an invaluable means of communication between troops and their families back home.
When the war ended, the Navy had a firm of architects and draftsmen on contract to design ships. Since there was no longer a need for more ships, they were given a new assignment: To develop a series of instructional guides for arts and crafts. These were called “Hobby Manuals.” The Army was impressed with the quality of the Navy manuals and had them reprinted and adopted for use by Army troops. By 1948, the arts and crafts practiced throughout the Army were so varied and diverse that the program was renamed “Hobby Shops.” The first “Interservice Photography Contest” was held in 1948. Each service is eligible to send two years of their winning entries forward for the bi-annual interservice contest. In 1949, the first All Army Crafts Contest was also held. Once again, it was clear that the program title, “Hobby Shops” was misleading and overlapped into other forms of recreation.
In January, 1951, the program was designated as “The Army Crafts Program.” The program was recognized as an essential Army recreation activity along with sports, libraries, service clubs, soldier shows and soldier music. In the official statement of mission, professional leadership was emphasized to insure a balanced, progressive schedule of arts and crafts would be conducted in well-equipped, attractive facilities on all Army installations.
The program was now defined in terms of a “Basic Seven Program” which included: drawing and painting; ceramics and sculpture; metal work; leathercrafts; model building; photography and woodworking. These programs were to be conducted regularly in facilities known as the “multiple-type crafts shop.” For functional reasons, these facilities were divided into three separate technical areas for woodworking, photography and the arts and crafts.
During the Korean Conflict, the Army Crafts program utilized the personnel and shops in Japan to train soldiers to instruct crafts in Korea.
The mid-1950s saw more soldiers with cars and the need to repair their vehicles was recognized at Fort Carson, Colorado, by the craft director. Soldiers familiar with crafts shops knew that they had tools and so automotive crafts were established. By 1958, the Engineers published an Official Design Guide on Crafts Shops and Auto Crafts Shops. In 1959, the first All Army Art Contest was held. Once more, the Army Crafts Program responded to the needs of soldiers.
In the 1960’s, the war in Vietnam was a new challenge for the Army Crafts Program. The program had three levels of support; fixed facilities, mobile trailers designed as portable photo labs, and once again a “Kit Program.” The kit program originated at Headquarters, Department of Army, and it proved to be very popular with soldiers.
Tom Turner, today a well-known studio potter, was a soldier at Ft. Jackson, South Carolina in the 1960s. In the December 1990 / January 1991 “American Crafts” magazine, Turner, who had been a graduate student in art school when he was drafted, said the program was “a godsend.”
The Army Artist Program was re-initiated in cooperation with the Office of Military History to document the war in Vietnam. Soldier-artists were identified and teams were formed to draw and paint the events of this combat. Exhibitions of these soldier-artist works were produced and toured throughout the USA.
In 1970, the original name of the program, “Arts and Crafts”, was restored. In 1971, the “Arts and Crafts/Skills Development Program” was established for budget presentations and construction projects.
After the Vietnam demobilization, a new emphasis was placed on service to families and children of soldiers. To meet this new challenge in an environment of funding constraints the arts and crafts program began charging fees for classes. More part-time personnel were used to teach formal classes. Additionally, a need for more technical-vocational skills training for military personnel was met by close coordination with Army Education Programs. Army arts and crafts directors worked with soldiers during “Project Transition” to develop soldier skills for new careers in the public sector.
The main challenge in the 1980s and 90s was, and is, to become “self-sustaining.” Directors have been forced to find more ways to generate increased revenue to help defray the loss of appropriated funds and to cover the non-appropriated funds expenses of the program. Programs have added and increased emphasis on services such as, picture framing, gallery sales, engraving and trophy sales, etc… New programs such as multi-media computer graphics appeal to customers of the 1990’s.
The Gulf War presented the Army with some familiar challenges such as personnel off duty time in staging areas. Department of Army volunteer civilian recreation specialists were sent to Saudi Arabia in January, 1991, to organize recreation programs. Arts and crafts supplies were sent to the theater. An Army Humor Cartoon Contest was conducted for the soldiers in the Gulf, and arts and crafts programs were set up to meet soldier interests.
The increased operations tempo of the ‘90’s Army has once again placed emphasis on meeting the “recreation needs of deployed soldiers.” Arts and crafts activities and a variety of programs are assets commanders must have to meet the deployment challenges of these very different scenarios.
The Army arts and crafts program, no matter what it has been titled, has made some unique contributions for the military and our society in general. Army arts and crafts does not fit the narrow definition of drawing and painting or making ceramics, but the much larger sense of arts and crafts. It is painting and drawing. It also encompasses:
* all forms of design. (fabric, clothes, household appliances, dishes, vases, houses, automobiles, landscapes, computers, copy machines, desks, industrial machines, weapon systems, air crafts, roads, etc…)
* applied technology (photography, graphics, woodworking, sculpture, metal smithing, weaving and textiles, sewing, advertising, enameling, stained glass, pottery, charts, graphs, visual aides and even formats for correspondence…)
* a way of making learning fun, practical and meaningful (through the process of designing and making an object the creator must decide which materials and techniques to use, thereby engaging in creative problem solving and discovery) skills taught have military applications.
* a way to acquire quality items and save money by doing-it-yourself (making furniture, gifts, repairing things …).
* a way to pursue college credit, through on post classes.
* a universal and non-verbal language (a picture is worth a thousand words).
* food for the human psyche, an element of morale that allows for individual expression (freedom).
* the celebration of human spirit and excellence (our highest form of public recognition is through a dedicated monument).
* physical and mental therapy (motor skill development, stress reduction, etc…).
* an activity that promotes self-reliance and self-esteem.
* the record of mankind, and in this case, of the Army.
What would the world be like today if this generally unknown program had not existed? To quantitatively state the overall impact of this program on the world is impossible. Millions of soldier citizens have been directly and indirectly exposed to arts and crafts because this program existed. One activity, photography can provide a clue to its impact. Soldiers encouraged to take pictures, beginning with WW II, have shared those images with family and friends. Classes in “How to Use a Camera” to “How to Develop Film and Print Pictures” were instrumental in soldiers seeing the results of using quality equipment. A good camera and lens could make a big difference in the quality of the print. They bought the top of the line equipment. When they were discharged from the Army or home on leave this new equipment was showed to the family and friends. Without this encouragement and exposure to photography many would not have recorded their personal experiences or known the difference quality equipment could make. Families and friends would not have had the opportunity to “see” the environment their soldier was living in without these photos. Germany, Italy, Korea, Japan, Panama, etc… were far away places that most had not visited.
As the twenty first century approaches, the predictions for an arts renaissance by Megatrends 2000 seem realistic based on the Army Arts and Crafts Program practical experience. In the April ‘95 issue of “American Demographics” magazine, an article titled “Generation X” fully supports that this is indeed the case today. Television and computers have greatly contributed to “Generation X” being more interested in the visual arts and crafts.
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